If there’s one thing I’ve discovered about acrylic pour painting, it’s that there never seems to be enough time in the day to do all the painting I’d like. Nor is there enough paint in the world to feed this obsession.
I tried acrylic pouring for the first time because I had a lot of acrylic paint I wasn’t using and I thought it would be fabulous to play with when I came across the technique.
As a graphic designer and general mixed media artist (I’ve started to refer to myself as such because my hands are literally in ALL THE MEDIA all the time) it is sometimes hard to focus on one thing at a time when excitement is overflowing.
I go through phases where I can’t stop with one thing or another but no matter what I do, I generally like to hit all the same areas of interest: lots of color, room for design interest/problem solving, and I especially love working with mediums that encourage a level of spontaneity in the process.
So, that explains why I love making these painting so much. Like calligraphy, I find it incredibly therapeutic. There is a science to it, a groove to fit into once you feel it. And I’m so happy I found it.
If you check out #pigmentologypour on Instagram you will find pretty much all the process videos and photos we’ve taken when it comes to acrylic pouring. I try to make it a point to record process every time I do a painting, because it’s just so much fun to see the play back.